Women in Fiction Illustrated

Both the latter bearing and evidence that women were fonder than assumed can be found in Cooper, as in this passage after the nature of the Indians has been explained to Alice:

Alice hesitated no longer; but giving her Narragansett a smart flash back of the whip, she was the first to dash aside the slight branches of the bushes, and to follow the starting time along the dark and tangled pathway. The young humanity regarded the end speaker in open admiration, and even permitted her fairer, though for sure not much beautiful companion, to proceed unattended, while he sedulously opened the way himself for the passage of her who has been called Cora.

Alice is a strong character and a strong woman, to the point where she can at times be foolhardy. Much of the unused skirts the issue that c erstrns the males of the time--what go out the Indians to white women if the latter are captured. Alice in particular becomes a catalyst for tensions between her protectors, with Heyward seeing himself as the civilized man who should be protecting her from the rougher type represented by Hawkeye and the Indians. Alice represents the early American values derived form the British and then case-hardened by the frontier experience. She is the beginning of this process.

Half a one C later, Henry crowd would create women who would represent a more advanced development in the same national female character. Often, James wold compare these women to their European counterparts, and he would fin

As an American girl she was a perceptible figure, the question was the evaluation and composition of that American girl.

His way of performing with the unfortunate girl is even more cruel than Townsend's and certainly more destructive of her ultimate happiness. The two snakes in couchherine's tend are really one: her lover's and her father's contempt. Under the gentle flush of that subdued society the soil is arid. Catherine learns in time to spirited without love, but her life is a poor enough amour without it.

The image of the male head of the household in this novel is a harsh one. Dr. Sloper lives with his widowed sister and his daughter and never lets them forget that he would rather be with his dead married woman and dead son.

His wife was beautiful, and he says his daughter is not. His son was promising, and he says his daughter is not. His cruelty is constant, including direct verbal assaults on two women, but he has even more power in the patriarchal society in which they live:

Kenton, Edna. "Henry James to the Ruminant Reader: The Turn of the Screw." The Arts (November 1924), 245-255.

An obsession with the thinker of woman takes hold of Humbert Humbert in Lolita and also leads to tragedy. Lolita is only a child, though, and the obsession that motivates Humbert is his own fault, not hers, however much Humbert whitethorn want to blame her as if she were another siren vocation him to his doom. Humbert personifies the man who sees the woman as a sex fair game and who fails to understand her individuality as a consequence.

Tennessee Williams in Cat on a Hot Tin Roof depicts a family beset by conflicts based on sex, money, inheritance, and ties to the land. Different factions in the family vie for attention out of fear of losing money once the patriarch dies. Money seems to be a major fountain of family conflict in these plays, though there are unremarkably other conflicts present as well. In this case, the conflicts extend into the bypast and to earlier sins com
Order your essay at Orderessay and get a 100% original and high-quality custom paper within the required time frame.